The Valmiki Ramayana-1
Introduction to Valmiki Ramayana
Vanam Jwala Narasimha Rao
(My 10-year-old granddaughter Kanak
Vanam who lives in Redwood City, San Francisco, USA is a voracious reader even
at this tender age. On seeing me writing Ramayana in Telugu whenever I come to USA,
she asked me can’t it be in simple English so that she too can have the benefit
of reading Ramayana. Once the same
question was raised by my another granddaughter Mihira. Then I decided
to do my best to write in English, as simple as possible. I made her to read first
couple of paragraphs and confirmed that she understands. Hence this weekly serial
for her and her aged children)
The Ramayana authored by the Great Sage Valmiki is undoubtedly the
greatest and the best of all epics and classics. The lead role and the central
character of Sri Ramayana namely Sitadevi is none other than Goddess Laxmi Devi.
The hero of the classic Sri Ramachandramurthy is again the Maha Vishnu himself.
The Incarnation of both of them in the era of Treta Yug was precisely for the
purpose of annihilating the sinners and safeguarding the virtuous and innocent
people and thereby establish Dharma, the righteousness. Had Valmiki not authored
their story, the future generations would have lived in utter darkness and
would have turned as sinners perhaps!
The Ramayana authored
by Sage Valmiki was in Sanskrit (an ancient language from India) which is
composed in verses called Shlokas and hence became difficult for many to read
and understand. Though many translated it into several languages, they also,
mostly were grammatical and linguistic and hence were equally difficult to
understand. In English there are very few and mostly difficult to read as they
were true translations many a times. This is precisely the reason for writing
this in simple, lucid and easy to understand dialect Ramayana in English.
Ramayana book is in Six parts known as Kandas in Sanskrit, namely Bala,
Ayodhya, Aranya, Kishkindha, Sundara and Yuddha, besides one post script known
as Uttara Kanda.
The reason as to why at the end of Treta Yuga (the era) Lord
Srimannaarayana had a conversation in his abode Vaikunta with his wife Laxmi
Devi and other saints on the subject of annihilating the sinners and
safeguarding the virtuous and innocent people, was the Monster king Ravana.
Subsequently Lord Srimannaarayana to accomplish his vow to King Dasharatha who
worshipped him in his previous birth, born as his sons with the names Srirama,
Bharata, Lakshmana and Shatrughna. This was the desire of the Lord.
The Lord Maha
Vishnu in accordance with his will takes birth in four forms as son to King
Dasharatha. In the form of Srirama commits himself to the word given by his
father and living an ever-truthful life killed Monster King Ravana. As
Lakshmana he was always at the behest of Rama and served him abiding by his
command. In the form of Bharata he was always obedient to brother Rama and as
Shatrughna he served his elder brother Bharat right from his childhood.
Lord Brahma, with
a view, that the story of these four forms, the Rama, the Lakshmana, the
Bharata and Shatrughna be exposed to generations and generations to come and
for the people of whole universe, thought of a book and passed on the
responsibility to Sage Narada and other sages. Brahma further proceeded and
directed Sage Narada to instruct and enlighten Valmiki an ardent devotee of
Srirama to author it for the benefit of inhabitants of the earth. Thus, the
Ramayana written by Valmiki was enthused and inspired by none other than Lord
Brahma.
Going into the
details, background and context of this…. One day Sage Narada at the behest of
Lord Brahma went to the hermitage of Sage Valmiki. He, in tune with the thought
process of Saint Valmiki and having understood his view, tutored the story of
Sri Sitarama coupled with the Gayatri Hymn. Later he informed Lord Brahma about
what he did. Brahma in turn put Goddess Saraswathi the personification of all
knowledge and learning on the tongue of Valmiki and directed him to take-up the
writing of Sri Ramayana. Brahma also empowered him to do so in the form of a
great legendary testament. With that strength bestowed on him by Brahma,
Valmiki commenced writing Sri Ramayana. This is thus a Great Literature and Great
Epic. Valmiki Ramayana is said to have been composed
basing on each of the twenty-four letters of Gayatri Hymn, and a thousand
verses are arranged into one book under the caption of each letter.
Genesis of Sri Ramayana and Narada tutoring
Valmiki
One day Narada, the
professor of theology and spirituality and also a leading Yogi, went to
Valmiki. Valmiki who was in search of a suitable teacher, bowed to him and elicited
from him whether there was any person who was a true virtuous and righteous in
all aspects.
Valmiki thus wanted to
know about such a person who has the qualities of: appropriate in disposition, interested
in welfare of all beings, adept and also an able one, uniquely pleasant to look
at, self-composed one, controlled his ire, brilliant, non-jealous and to whom
even the gods fear when provoked to war etc.
Replying to Valmiki,
Narada said that, “Oh! Great Sage! The righteous traits that you narrated are unparalleled
and extraordinary. In each of these traits, implicitly there are many more such
traits and thus they are doubled and tripled. These are seldom found in
ordinary human beings. However, I will reveal the name of the person in whom
all these great manners, behaviors and qualities do exist. Please listen. In
the family lineage of Ikshvakas dynasty where the God has been prayed
incessantly and relentlessly, Ramachandramurthy whom the whole world addresses
as ‘Rama! Rama!’ was born. In him all the qualities and traits that you are expecting
are in abundance”.
Narada described Rama as
the one who is with a controlled self, highly valorous, resplendent, steadfast,
controller of his own senses, wise one, moralist, eloquent, glorious, destroyer
of enemies, preserver of his own righteousness, scholar in the essence of Vedas
etc. While lauding Rama, Narada gives an outline of Ramayana, truly
highlighting those aspects that are the keynotes in this epic, like virtuosity,
generosity, morality, chastity and the like.
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